This is not based on a true story like The Conjuring. How is your mindset and approach to this kind of horror movie different? Because this is a fantasy in every sense of the word; because you’re talking about a fictional story. You’re not really preparing like I was on The Conjuring where you’re sifting through tapes and audiotapes, and what did he wear, what did he look like, how did he do this, let me find this story, let me find that. You’re looking at it like a biopic. Where with this, it is more about the rules of the world that we are creating, talking of James and me. Can I answer this question, can we say this, should I say that? It’s more about being present and mapping out your possession when that occurs and finding those little moments. I know we want to trick the audience a little or maybe the family, but you’re getting into what it’s like to be possessed by someone. How would they react? Okay, let’s find maybe one moment where I linger on the kid a little too long, and he just says, “What?” So maybe on first time viewing, you don’t think anything of it. Then next time through, you think, “Oh wow. Why’s he staring at him?” Those are all specific things that either I come up with or James comes up with. But it’s really about making, even in this fantasy world, trying to make some real progress in even the way I would say, “This is my room.” It is the choice of words that is very, very specific. Most people wouldn’t notice it or really wouldn’t care, but that’s the sort of stuff that I dig into. This is a sequel where you’re playing the same character, but pretty much everything you’re doing is the opposite. You’re doing, by in large, the scaring, as opposed to being the scare-e. It’s got to be interesting as an actor for you, because you’re getting to do something different. With most things with “Chapter 2” at the end or “2,” you’re more or less doing what you knew worked the first time. This time, everything you knew that worked the first time isn’t your character anymore. Well I think that’s the trap [as to] why there aren’t a lot of horror sequels that work very well, I guess. Or it’s just a totally different family or circumstance or whatever it is. It’s probably very similar with comedy too, because you don’t want to do the same jokes. Are you going to have the same set-up again? It’s very hard. You watch maybe The Hangover movies where it’s tough, because you have a built-in audience, so you know they’re going to enjoy it. I was there opening weekend for Hangover II. It worked here I think [in comparison] to that franchise where so much money is involved, where we still only did this in 26 days. It’s not like all of a sudden we’re given like 30 million dollars. It was still for very, very, very little, and we went out and did it. I think there is a real sort of creative freedom in that that just sort of let James and Leigh say, “Go where you want. Do what you want to do.” Because you can’t do the haunted house movie again, you know? Because you’re kind of the scare-er in the movie of these little kids, how is it to work with these child actors and be the one who’s trying to murder them? Well, I’ve known Ty [Simpkins] for a long time now. Ty was my son in Little Children. They’ve never seen me like this. [Laughter]. But I say I’ve known Ty, but I also keep a good distance to be honest with you. I’m a dad, so I have two boys, but it’s a fine line. I don’t want them to think I’m actually going to hurt them, but at the same moment, I want to surprise them. I don’t want to tell them exactly what I’m going to do. So, that little bit of fear is good to be honest with you. And not in a child abusive way, I don’t want that! But this goes whether you work with kids on a horror movie or not, if you’re their buddy the whole time when it comes time for you to work, they’re still joking around about the joke five minutes ago, and you’re like, “Yeah, but I want to work now.” I’ve always had a great relationship with Ty, but a lot of that is “it’s time to go to work now.” Child actors are a whole other conversation, but they need to know that when they are there, they’re there to work. Even if it’s all fun and games on set, an adult can go, “Alright, you guys ready to work?” And then we get to work. Kids are still, “What we’re still joking around.” So, you’ve got to rein them in, and James is actually very good at that. When I was certainly in the meat of the movie like possessed and stuff, there wasn’t a lot of chitchat before. Now afterwards, obviously, when I was all banged up and they were terrified, I’d then make sure everybody was okay. That’s a part of the job. You’re there to work, man [Laughter]. That’s my tagline: “I’m not here to make friends.” [Laughter]. What do you find scarier, The Conjuring or Insidious? Because I don’t get scared in horror movies, and The Conjuring was something else. It’s very funny. For me, I agree. But a very dear friend of mine who’s seen both, totally objective, said to me, “The Conjuring was fine for me. For me, THIS [Insidious Chapter 2] freaked me out!” But I’m like this is make believe and crazy make-up. It’s very strange. A lot of it might have to do with religion. If you grow up with religion that’s part of it too, whether you believe it or not. The Conjuring sort of hits you on that level. In your research for The Conjuring, did you read of any particular Ed and Lorraine cases that you could see being adapted into a movie down the line? You digging for a sequel? [Laughs]. I mean we’re going to do a sequel to that. Yeah, Chad and Carey [Hayes] have come up…They said one about a case in London about two sisters that were possessed. I mean there are thousands of cases, so there may be more than one. I don’t know, I have not read a script. Did you read about this case in your research? About which case? About the London case with two sisters. Yeah…Yeah. Yeah. [Laughs]. Well if you go to The Demonologist [the Gerald Brittle book about the career and lives of Ed and Lorraine Warren], in the latter half of that book, it gets pretty intense and insane. It’s insane. Well do you agree it’s all in a person’s mind that’s taking them there? Look, that’s a whole other conversation. I think the answer is probably yes. But then the flipside of that is, “Well maybe that’s what seeing a ghost is anyway?/Well, maybe that’s what being schizophrenic is?/Well maybe schizophrenic is being possessed by a demon?/No, no they’re just crazy/Well, what is crazy?/Well, maybe you’re possessed…” It’s going round and round. Maybe they just need to take medication? Well, maybe. [Laughter]. The possibilities of what your brain can—We all know we use so little of our brain. And we all know that there’s another probably sense at play, whether with kids or animals or whatever can sense something, you feel something, you feel some sort of sense of danger. What is that? That’s not “I see something.” It’s you know something. I think it’s all in that sort of other sense. So, I’m not sure there’s like a full on other person standing in front of you. Maybe you’re imagining that. Maybe. But maybe there’s something. Like us on Facebook and follow us on Twitter for all news updates related to the world of geek. And Google+, if that’s your thing!
